ROI And Photography
We've heard the term: Return On Investment,
an economic term that has direct
application to photography. The investment is in time, dedication, commitment, and
tenacity. The return is in the quality of images we come home with. I look for places
that have great potential for those images that are absolute "keepers." I will revisit
certain places, either on a periodic or annual basis, depending on when I am most
likely to get the highest ROI.
One of those places is Mapleton Avenue in Boulder, Colorado, in October. I have
had such success there that I go back annually, like clock work. It's like going on an
Easter egg hunt. I look high and low until I find the right combination of compositions,
shapes, texture, and colors. My favorite timing is right after a snowfall. This is what
I found this past October.
application to photography. The investment is in time, dedication, commitment, and
tenacity. The return is in the quality of images we come home with. I look for places
that have great potential for those images that are absolute "keepers." I will revisit
certain places, either on a periodic or annual basis, depending on when I am most
likely to get the highest ROI.
One of those places is Mapleton Avenue in Boulder, Colorado, in October. I have
had such success there that I go back annually, like clock work. It's like going on an
Easter egg hunt. I look high and low until I find the right combination of compositions,
shapes, texture, and colors. My favorite timing is right after a snowfall. This is what
I found this past October.
I got several shots of leaves against snow, which I liked. But, it was this particular
grouping really got my attention. The combination of color, texture, melting snow, and
nature's arrangement was just too good to resist. My job was to create order out of
chaos. There were so many of these leaves, covering a large area, most covered by
snow and ice. It took me a few minutes to carefully scan the area, ensuring that I did
not disturb the leaves. What I was looking for was the best composition that would
give me the strongest impact, interest, and design.
After
getting several good images on the ground, I decided it was time to see what was above me as well. I saw this great combination of yellows, reds, and greens against the
blue sky. I liked the diagonal lines
created by the thin branches, which I knew would
come out dark (I know
how that built-in meter works!). As luck would have it, I saw the
sun
peaking behind some leaves. I knew instinctively that I just had to
include a sun
burst as part of my composition. I also knew that if I hid
it behind some leaves, it would
not be overpowering. In order to get
the sunburst, I chose a small aperture (f/22). I've
used this
technique in similar situations with great success. Careful with your your exposures though--these situations can give you ugly, dark results because of the bright light. You will need to overexpose as needed.
So,
next time you visit a place and go home with a collection of "keepers,"
revisit
that area again. You might get a good return on your
investment.